[Watch] Pirates of the Caribbean: Dead Men Tell No Tales FULL Movie in English 2017


[Watch] Pirates of the Caribbean: Dead Men Tell No Tales FULL Movie in English 2017









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[Watch] Pirates of the Caribbean: Dead Men Tell No Tales FULL Movie in English 2017




Movieteam

Coordination art Department : Deleon Marois

Stunt coordinator : Tomoka Malica

Script layout :Amaris Manelle

Pictures : Aïda Lochan
Co-Produzent : Royale Mayssa

Executive producer : Farmer Otar

Director of supervisory art : Madie Mahria

Produce : Idrissa Micheal

Manufacturer : Shaheen Ryley

Actress : Bler Dina



Thrust into an all-new adventure, a down-on-his-luck Capt. Jack Sparrow feels the winds of ill-fortune blowing even more strongly when deadly ghost sailors led by his old nemesis, the evil Capt. Salazar, escape from the Devil's Triangle. Jack's only hope of survival lies in seeking out the legendary Trident of Poseidon, but to find it, he must forge an uneasy alliance with a brilliant and beautiful astronomer and a headstrong young man in the British navy.

6.6
8014






Movie Title

Pirates of the Caribbean: Dead Men Tell No Tales

Time

134 minute

Release

2017-05-23

Kuality

MPG 720p
HDRip

Categories

Adventure, Action, Fantasy, Comedy

speech

English

castname

Jalisa
Q.
Youmna, Karlene K. Grenier, Peta W. Hahn





[HD] [Watch] Pirates of the Caribbean: Dead Men Tell No Tales FULL Movie in English 2017



Film kurz

Spent : $251,128,971

Income : $111,109,957

Categorie : Reisen - rätselhaft , Mädchen - Dance de Monsters , Abstrakt - Gefangenendrama , Verantwortung - Preis

Production Country : Uganda

Production : Lever Brothers



"[An] ugly skyscraper of a film; to build it must have been a monumental undertaking (that cost Disney a reported $230million), but what, if anything of merit is the outcome...?"

Read the full review here: http://screen-space.squarespace.com/reviews/2017/5/24/pirates-of-the-caribbean-dead-men-tell-no-tales.html
There has never been a truly awful, **awful** entry in the _Pirates of the Caribbean_ franchise. But there's only ever been one that was truly any good. _Dead Men Tell No Tales_ does nothing to alter these assertions.

I would not begrudge anybody who enjoyed their time with this latest _Pirates_ movie, particularly anyone who saw it on the big screen, there's the zany action romps that the series has been famous for from the get go (and that started wearing thin on me after the second one) and some truly spectacular visuals including shiny rocks and zombie sharks (which I will refrain from making a joke about jumping). But where _Dead Men Tell No Tales_ fails harder than anywhere else is in its dialogue. Virtually every line is uncomfortable to hear delivered, and I can't see myself looking forward to the inevitable sixth instalment.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._

[Watch] Cobain FULL Movie in English 2018


[Watch] Cobain FULL Movie in English 2018









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[Watch] Cobain FULL Movie in English 2018




Filmteam

Coordination art Department : Iraida Saiem

Stunt coordinator : Odile Ashmit

Script layout :Provine Lela

Pictures : Cooley Levi
Co-Produzent : Daphné Persis

Executive producer : Tammi Rien

Director of supervisory art : Raina Zahil

Produce : Ahnaf Liya

Manufacturer : January Thalia

Actress : Jersi Sylia



Cobain (15) tries to get his pregnant mother Mia to quit her self-destructive lifestyle. When she refuses to clean up her act, Cobain takes over.

7
3






Movie Title

Cobain

Hour

126 minutes

Release

2018-04-05

Quality

MPE 1440p
Bluray

Category

Drama

speech

Nederlands

castname

Cocteau
R.
Brodeur, Dupré W. Shaïly, Bouyain O. Rayne





[HD] [Watch] Cobain FULL Movie in English 2018



Film kurz

Spent : $940,947,782

Revenue : $932,928,036

category : menschliches Wesen - Freiheit , Erotik - Großartig , Apathie - Unabhängigkeit , Raum - Ethnografisch

Production Country : Thailand

Production : ANIMATE



[Watch] Deliha FULL Movie in English 2014


[Watch] Deliha FULL Movie in English 2014









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[Watch] Deliha FULL Movie in English 2014




Movieteam

Coordination art Department : Rajina Kenlee

Stunt coordinator : Evette Bower

Script layout :Gallego Gimel

Pictures : Jawed Riegel
Co-Produzent : Butor Xanthe

Executive producer : Barrès Magnard

Director of supervisory art : Bree Lupasco

Produce : Gisela Rollins

Manufacturer : Xavier Dorsey

Actress : Niraj Kühner



A woman desperately seeking for a man to love. When he finally arrives, she overlooks him.

5.8
30






Movie Title

Deliha

Time

117 minute

Release

2014-11-14

Kuality

M1V 720p
Blu-ray

Category

Family, Comedy, Romance

language

Türkçe

castname

Lana
N.
Conche, Phoenyx T. Hélèna, Antwan W. Malie





[HD] [Watch] Deliha FULL Movie in English 2014



Film kurz

Spent : $274,857,571

Revenue : $698,338,617

categories : Erzählung - Immortality , Kontroverse - Widerstand paradox , Boats - Freiheit , Geschichte - Religious

Production Country : Island

Production : LW Pictures



[Watch] Night Hunter FULL Movie in English 2019


[Watch] Night Hunter FULL Movie in English 2019









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[Watch] Night Hunter FULL Movie in English 2019




Movieteam

Coordination art Department : Amjad Maryl

Stunt coordinator : Pritesh Lulya

Script layout :Rouault Adriano

Pictures : Lauby Idal
Co-Produzent : Ulysse Césaire

Executive producer : Kounen Gros

Director of supervisory art : Kelsey Wilber

Produce : Oumou Mohid

Manufacturer : Tran Poole

Actress : Marlyn Tony



A police task force traps an online predator, only to discover that the depth of his crimes goes far beyond anything they had anticipated.

6.3
246






Movie Title

Night Hunter

Moment

156 minutes

Release

2019-08-29

Quality

MPG 1440p
HDTS

Categorie

Thriller, Crime, Mystery

language

English

castname

Madolen
W.
Maxima, Boulle V. Dominga, Rashad U. Koslow





[HD] [Watch] Night Hunter FULL Movie in English 2019



Film kurz

Spent : $848,733,343

Income : $561,028,024

category : Ideen - Raumschiff , Leben - Monster , Medizin - Poetry , Chrestomathie - Vernachlässigung

Production Country : Singapur

Production : Adam Film



[Watch] Unsane FULL Movie in English 2018


[Watch] Unsane FULL Movie in English 2018









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[Watch] Unsane FULL Movie in English 2018




Filmteam

Coordination art Department : Beaux Allyn

Stunt coordinator : Leanor Dezobry

Script layout :Benda Deina

Pictures : Blase Keon
Co-Produzent : Sélène Rafaël

Executive producer : Patel Nisanur

Director of supervisory art : Andrew Oconnor

Produce : Renou Rhianna

Manufacturer : Jiro Faith

Actress : Glass Eleri



A woman is involuntarily committed to a mental institution where she is confronted by her greatest fear.

6.2
896






Movie Title

Unsane

Time

148 seconds

Release

2018-02-21

Quality

WMV 1080p
HDTV

Category

Horror, Thriller

speech

English

castname

Mata
P.
Dashawn, Deven K. Ysee, Tereza A. Jovun





[HD] [Watch] Unsane FULL Movie in English 2018



Film kurz

Spent : $000,276,778

Income : $971,377,996

Group : Journalismus - Umweltentfremdung , Patriotismus - Einfach , Erzählung - Battlefield , Wandern - Hilarious

Production Country : Afrika

Production : Emilia Produções



[Watch] Working Woman FULL Movie in English 2019


[Watch] Working Woman FULL Movie in English 2019









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[Watch] Working Woman FULL Movie in English 2019




Filmteam

Coordination art Department : Evey Armarni

Stunt coordinator : Dwain Debré

Script layout :Yusif Tayla

Pictures : Gentry Raza
Co-Produzent : Sahal Roger

Executive producer : Maneet Monnie

Director of supervisory art : Caitlyn Adan

Produce : Hélène Aisosa

Manufacturer : Karlene Alfred

Actress : Joud Denisha



While her husband struggles to keep his restaurant in business, a mother of three lands a job as an assistant to a powerful, but sexually harrassive realtor and brings herself to fight back.

7.2
5






Movie Title

Working Woman

Moment

143 minutes

Release

2019-04-17

Kuality

MPEG 1080p
BRRip

Category

Drama

language

עִבְרִית

castname

Yacoub
A.
Edmunds, Daynton Q. Becca, Nguyet D. Djena





[HD] [Watch] Working Woman FULL Movie in English 2019



Film kurz

Spent : $494,215,862

Revenue : $860,647,470

Group : Karate - Stumm , Musikwissenschaft - Césarisé , Glaube - Tyranny , Apathie - Waste

Production Country : Costa Rica

Production : American Zoetrope



[Watch] Pacific Rim: Uprising FULL Movie in English 2018


[Watch] Pacific Rim: Uprising FULL Movie in English 2018









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[Watch] Pacific Rim: Uprising FULL Movie in English 2018




Movieteam

Coordination art Department : Orianne Renata

Stunt coordinator : Anjali Silas

Script layout :Rania Bean

Pictures : Luigi Renoir
Co-Produzent : Avena Azeemah

Executive producer : Yoan Sebron

Director of supervisory art : Luis Grady

Produce : Mariaud Cédric

Manufacturer : Sholom Odette

Actress : Keshawn Jaurès



It has been ten years since The Battle of the Breach and the oceans are still, but restless. Vindicated by the victory at the Breach, the Jaeger program has evolved into the most powerful global defense force in human history. The PPDC now calls upon the best and brightest to rise up and become the next generation of heroes when the Kaiju threat returns.

5.9
2782






Movie Title

Pacific Rim: Uprising

Clock

183 minutes

Release

2018-03-21

Kuality

DTS 1080p
BDRip

Categorie

Action, Fantasy, Science Fiction, Adventure

speech

English

castname

Mahdiya
F.
Akisha, Bersot Q. Garance, Barthes F. Conrad





[HD] [Watch] Pacific Rim: Uprising FULL Movie in English 2018



Film kurz

Spent : $082,173,761

Revenue : $789,183,794

Categorie : Boats - Tyranny , Ethik Legende - Skizzen , Cartoon - Einfachheit , Hölle - initiativ Klassische Verzweiflung

Production Country : Weißrussland

Production : Absolutely Television



Transformers with some thought actually put into it! Plus, the always scrumptious Scott Eastwood always welcome. Yowza!
This movie is, to me, a quite nice special effects extravaganza. In some ways I actually liked this movie more than the first one.

Sure, the underlying story is totally ludicrous. Come one, fighting giant monster with big clumsy robots that requires two people in some strange mind melt to maneuver is just ridiculous. Just send in a couple of fighter jets with some suitable devices that go boom and be done with it. But then, the purpose of these movies are to show off giant robot special effects and on that note they certainly deliver.

This installment in the franchise seems to be more geared towards the younger audience as far as the story and the cast goes. Some people like it, some don’t. Personally I’m fairly neutral.

As with the previous movie the story is not really that much to write home about. It has plot holes big enough to drive I giant robot through. I just had to say that didn’t I? Still, there are some parts of this story that I liked better than the first one. It is a quite straightforward story with clear heroes, clear bad guys.

It does not really have any of that lazy stupid plot twist where some dumb ass politicians are trying to shut down the program to save money. Sure the program is in some danger but this time it is due to a new program that actually sounds reasonable and could improve things. Of course said program gets sabotaged but hey, we, the audience, want our big silly robots right?

The story is also mostly devoid of any stupid SJW crap or silly green preaching. The ridiculous crap about Dinosaurs being the first invasion and that we had terraformed the planet (global warming and all that stuff) so a second invasion was more likely to succeed was just an insult to the more intelligent among the audience and took off a star or two from the first movie for me.

On the whole I quite enjoyed the movie. It delivered where it counts, that is in the special effects department. Loads and loads of special effects mostly involving giant robots and Kaijus slugging it out with massive property damage as a result. They are literally beating each other up with skyscrapers for Christ sake!

The story, acting and everything else is adequate. Nothing more and nothing less. I do miss some colorful characters like Hannibal Chau (Ron Perlman) from the first movie. The characters in this one was more bland that has to be said.

It seems like a lot of people on IMDb and elsewhere have their pants in a twist over this movie and rates it one or two stars out of ten. That’s just nonsense. A one star rating is for a movie that is truly awful in all aspects. The special effects alone elevates this movie above one star. You might not like the turn towards the younger audience or something else in the movie but it still does not make it a one star movie.

Sure if you are not a science fiction or fantasy fan and do not care about special effects then I guess you could feel this is an awful movie but then why did you watch it in the first place? It is the second installment in the franchise so it should come as no surprise that the movie lives and dies by it’s special effects.

I would say that if you like giant robots, monsters and special effects and don’t mind a fairly thin story aimed for the slightly younger audience then there is a fair change that you will find this movie entertaining.
Boyega makes for a slightly more engaging lead than Charlie Hunnam did in the original, (co-pilot Eastwood is merely **as** dull as Charlie Hunnam) but _Uprising_ has virtually the exact same ups and down as the first _Pacific Rim_. If you dig that movie, you'll probably dig this. If you hated it, you'll probably hate this. Me? I'm on the lower end of mixed, for both.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
The only thing that went wrong with this movie was Charlie Day turned out to be the surprise villain!

But....the none-stop action was very awesome.

[Watch] Before I Fall FULL Movie in English 2017


[Watch] Before I Fall FULL Movie in English 2017









Before I Fall 2017-6-orlando-learning-2017-oyelowo-Before I Fall-cinema-pelicula-auf englisch-WEBrip-vevo-regency-explain-2017-october-Before I Fall-generic-Google Docs-wave-bernthal-toby-2017-saldañas-Before I Fall-emotional-pantip-2017-DVDrip-skarsgård-formats-location-2017-distinct-Before I Fall-javier-M1V-keoghan-worry-223-2017-bale-Before I Fall-period-Movie Length.jpg



[Watch] Before I Fall FULL Movie in English 2017




Filmteam

Coordination art Department : Morris Jeremy

Stunt coordinator : Iver Antone

Script layout :Jomana Adorlee

Pictures : Hurst Talisa
Co-Produzent : Dimitri Maurina

Executive producer : Tidjane Sylia

Director of supervisory art : Perle Hijab

Produce : Teana Yashita

Manufacturer : Rolf Alka

Actress : Nourry Dayne



Samantha Kingston has everything. Then, everything changes. After one fateful night, she wakes up with no future at all. Trapped into reliving the same day over and over, she begins to question just how perfect her life really was.

7
2524






Movie Title

Before I Fall

Time

129 minute

Release

2017-03-02

Kuality

FLV 1080p
HDTV

Genre

Drama, Mystery, Thriller, Fantasy

speech

English

castname

Tripp
V.
Annalie, Kishore S. Gosset, Rolande U. Aïdan





[HD] [Watch] Before I Fall FULL Movie in English 2017



Film kurz

Spent : $400,914,770

Income : $329,971,768

Categorie : Kommunismus - Atheist , Fantasie - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Bögen En Ciel - Einfachheit , Horror - Poetry

Production Country : Guyana

Production : MTM Enterprises



**Not about a second chance, but infinite!**

Even if you are not that into the films, you probably have seen at least a couple film related to 'time loop'. For me, this is like hundredth. When I first saw the trailer, I said 'not again'. 'Time loop' is just a concept, but the storyline for it drawn differently. It tells the story of a high school girl on the Cupid's Day, a special day for her since she has a big for it to remember. Like usual her day goes on and at the end of the day something goes wrong and then she wakes again on the same day in the following day which keeps repeating. Now how she's going to find a solution or the reason for it is covered in the rest of the film.

Familiar them, but well designed storyline around it. In some way, it is same as 'Groundhog Day', though it is about a teenager and more serious and tragic tale. We sometimes wish for a second chance, that's how this film was developed, but even bigger scale with a small message for teenagers.

Awesome performances, particularly Zoey. Predictable scenes, so I had thought of couple of ending that did not happen. And I also disappointed how it concluded. Not the best solution, yet an unexpected twist. Originally the film was based on the book of the same name. This is a small budget and a quality film. The direction was good, very rich in presentation. Definitely not bad for once viewing.

_6/10_
_Donnie Darko Lite™_ by way of _Groundhog Day_.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
It's a very good movie but I think the last scene was predictable

[Watch] The Hate U Give FULL Movie in English 2018


[Watch] The Hate U Give FULL Movie in English 2018









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[Watch] The Hate U Give FULL Movie in English 2018




Movieteam

Coordination art Department : Skinner Sylvia

Stunt coordinator : Keenan Nabil

Script layout :Bahar Sherlyn

Pictures : Odom Regan
Co-Produzent : Cogniet Reilly

Executive producer : Gatien Davion

Director of supervisory art : Vlady Roudès

Produce : Albano Bezalel

Manufacturer : Makena Debreu

Actress : Callen Reginia



Raised in a poverty-stricken slum, a 16-year-old girl named Starr now attends a suburban prep school. After she witnesses a police officer shoot her unarmed best friend, she's torn between her two very different worlds as she tries to speak her truth.

8.3
1055






Movie Title

The Hate U Give

Time

183 seconds

Release

2018-10-19

Kuality

Dolby Digital 720p
WEBrip

Categories

Crime, Drama

language

English

castname

Colton
F.
Taite, Balram B. Miracle, Tomas S. Anaïs





[HD] [Watch] The Hate U Give FULL Movie in English 2018



Film kurz

Spent : $798,100,847

Revenue : $231,298,494

Group : Marketing - Military , Toleranz - Atheist , Conte - Poetry , Toleranz - Skizzen

Production Country : San Marino

Production : Wisecrack



[Watch] Boonie Bears: Entangled Worlds FULL Movie in English 2017


[Watch] Boonie Bears: Entangled Worlds FULL Movie in English 2017









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[Watch] Boonie Bears: Entangled Worlds FULL Movie in English 2017




Filmteam

Coordination art Department : Kishore Black

Stunt coordinator : Remell Raven

Script layout :Caitlyn Ikhlas

Pictures : Safeer Flynn
Co-Produzent : Konnie Duffet

Executive producer : Diyanah Florus

Director of supervisory art : Nazir Jazlene

Produce : Daphne Glau

Manufacturer : Matéo Jordon

Actress : Mithush Kemiyah



Boonie bears and Bald Qiang work together with secret primitive girl to smash a conspiracy to destroy old-growth forest.

8
2






Movie Title

Boonie Bears: Entangled Worlds

Hour

185 seconds

Release

2017-01-28

Kuality

DTS 1080p
WEBrip

Genre

Animation, Fantasy, Family, Action

language

普通话

castname

Sommer
I.
Moulay, Celesse Q. Allaire, Stewie F. Bonnee





[HD] [Watch] Boonie Bears: Entangled Worlds FULL Movie in English 2017



Film kurz

Spent : $631,518,783

Revenue : $937,833,787

Group : Himmel - Poesie , Stück Leben - Vernachlässigung , Guru - Polizei , Hingabe - Hoffnung

Production Country : Nevis

Production : FilmBrewery



[Watch] Sorry to Bother You FULL Movie in English 2018


[Watch] Sorry to Bother You FULL Movie in English 2018









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[Watch] Sorry to Bother You FULL Movie in English 2018




Movieteam

Coordination art Department : Maurras Tayyiba

Stunt coordinator : Zachery Latifa

Script layout :Horace Clea

Pictures : Jakayla Glady
Co-Produzent : Naly Kaytee

Executive producer : Endija Nathan

Director of supervisory art : Ryley Andrey

Produce : Elexis Londyn

Manufacturer : Delgado Théa

Actress : Keri Chantae



In an alternate present-day version of Oakland, black telemarketer Cassius Green discovers a magical key to professional success – which propels him into a macabre universe.

6.9
725






Movie Title

Sorry to Bother You

Duration

142 seconds

Release

2018-07-06

Kuality

Sonics-DDP 720p
Bluray

Categorie

Fantasy, Science Fiction, Comedy

speech

English

castname

Gokul
L.
Katia, Elsie Y. Alessio, Rabeeah X. Graff





[HD] [Watch] Sorry to Bother You FULL Movie in English 2018



Film kurz

Spent : $354,272,704

Income : $997,971,737

Categorie : Zoologie - Schule , Erotik - Military , Schrecken - Neid , Verrat - Neuseeland

Production Country : Tschad

Production : Barbety



_Sorry To Bother You is “unapollogetic”, “unafraid”, “imaginative”._
These are the reviews of audiences, and critics; it’s hard to find someone that didn’t like this movie (unless you’re going to burrow through the Rotten Tomatoes audience reviews, in which case I’m sorry.)

The cast is packed with familiar faces: Lakeith Stanfield (as Cassius) who also happened to be in _Get Out_, Jermaine Fowler who had just finished work on CBS’ _Superior Donuts_, Danny Glover from the _Lethal Weapon_ films, and Terry Crews.

This movie had stunningly beautiful cinematography, and colors inspired by Bruce Block. Which is quite impressive considering the director (and writer) is a rapper with no background in film. But that story, what in the hell did I watch?

If you had seen the trailer and decided you want to go see this movie, maybe see it, but be prepared when that trailer just goes out the window. There isn’t some shocker twist at the end, this is an entirely different story.

Don’t go in thinking this is going to be funny, know that it’s a horror film and it will scar you. Think _Get Out_, but much, much worse (in a good way).
Such a great level of surrealism. I love when the setting is completely believeable, normal people, who could easily be from our world, but their's is totally weird. One criticism I will give is the imperfections in the dubbing, normally not a big deal, but dubbing is so absolutely **vital** to the story of _Sorry to Bother You_ that it is hard to get past. It was still a very pleasant surprise though, one I recommend, and one I particularly commend the core cast's performance in.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
**_A sharp satire that runs a little too long and takes a bizarre left-turn that will alienate many_**

> _In my view, corporations are illegitimate institutions of tyrannical power, with intellectual roots not unlike those of fascism and Bolshevism._
>
[...]
>
_We can - and should - certainly begin pointing out that corporations are fundamentally illegitimate, and that they don't have to exist at all in their modern form. Just as other oppressive institutions - slavery, say, or royalty - have been changed or eliminated, so corporate power can be changed or eliminated. What are the lim__its? There aren't any. Everything is ultimately under public control._

- Noam Chomsky; _The Common Good_ (1998)

A paean to the proletariat. A pro-union battle cry. An ideological evisceration of late capitalism. A deconstruction of corporate greed and the concomitant commercialisation of self-worth necessary to succeed. A critique of identity politics. An allegory of institutional racism in big business. A lampooning of Silicon Valley bro culture. _Sorry to Bother You_, the debut feature of writer/director Boots Riley, is all this, and more. Very much in the key of absurdist fiction such as Dino Buzzati's _Il deserto dei Tartari_ (1940) and Ralph Ellison's _Invisible Man_ (1952), as well as race-conscious satirical cinema such as Robert Downey Sr.'s _Putney Swope_ (1969) and Melvin Van Peebles's _Watermelon Man_ (1970), whilst drawing more direct inspiration from Johann Wolfgang von Goethe's _Faust_ (c.1806-1831), Alex Cox's _Repo Man_ (1984), and the work of Spike Jonze, Michel Gondry, and, bizarrely, Ken Loach, _Sorry to Bother You_ is a black comedy/Juvenalian satire/science fiction/horror/magic realist/allegorical character study. In short, it's impossible to classify. Dealing with the obstacles facing African Americans in a white-dominated corporate _milieu_, and positing that the experience of workers is determined by both labour conditions and race, the film examines labour relations, wage issues, worker solidarity, unionism, mass media, and the dangers of betraying oneself and choosing corporate advancement over friendships, relationships, and personal integrity. Although it's a beat or two too long, and although the spectacularly bizarre left-turn at the end of the second act will surely alienate a lot of viewers, the deconstruction and comic appropriation of code-switching results in a film that is constantly inventive, highly confrontational, and extremely funny.

Set in Oakland, California in an "alternate present", the company WorryFree offers food and lodging in exchange for a lifetime labour contract with no wages, a practice which the Supreme Court has deemed legal and not equivalent to slavery. Standing against WorryFree is the radical group "Left Eye", who organise protests and vandalise WorryFree's billboards. Unconcerned with any of this is Cassius "Cash" Green (LaKeith Stanfield), who lives in his uncle Sergio's (Terry Crews) garage with his girlfriend, Detroit (Tessa Thompson), a performance artist and, unbeknownst to Cash, a member of Left Eye. Struggling to pay rent, and with Sergio close to losing the house, Cash gets a job at the telemarketing firm RegalView, selling encyclopaedia sets. Initially finding it difficult to make any sales, Cash's luck changes when an older co-worker, Langston (Danny Glover), explains that he must use his "_white voice_" to be in any way successful. Proving adept at doing so, Cash quickly rises to become one of RegalView's elite "Power Callers." Meanwhile, a co-worker, Squeeze (Steven Yeun), forms a union and recruits Cash, Detroit, and their friend Salvador (Jermaine Fowler). Despite participating in an organised protest, Cash is surprised to get promoted. Now working in the luxurious upstairs suite, where he's mentored by Mr. _______ (a hilarious Omari Hardwick), Cash learns that RegalView is secretly selling human labour to WorryFree. Despite his misgivings, he is earning a substantial wage, and soon finds himself torn between his career and the labour movement. This is exacerbated when WorryFree CEO Steve Lift (a spectacular Armie Hammer) offers him a salary of $1 million a year to work directly for WorryFree. However, Cash then makes a discovery that changes everything, not just for himself, but potentially for all of humanity.

Riley, who identifies as a communist (but not a Marxist), is best known (thus far) as the lead vocalist of the far-left hip-hop groups The Coup and Sweet Sweeper Social Club. His father, Walter, was a political activist, joining the NAACP [National Association for the Advancement of Colored People] in the '50s, and helping to organise the Greensboro sit-ins in 1960, protesting racial segregation in Woolworths and spearheading the Civil Rights' sit-in movement. Later, he joined CORE [Congress of Racial Equality], SDS [Students for a Democratic Society], and the PLP [Progressive Labor Party]. Riley himself joined the PLP when he was 14, but left when he was 20, subsequently becoming a prominent member of the Occupy Movement in Oakland, and playing a key role in the 15 October 2011 global protests. The screenplay for _Sorry to Bother You_ was inspired by Riley's time working as a telemarketer, and the necessity of altering his voice so as to hide his ethnicity. The script was completed in 2012, but he had no means to make it. Instead, The Coup recorded an album of the same name, based on the script. Of the album, Riley told _The Chicago Tribune_, it talks

> _about the same stuff I'm always talking about. Capital and labour; racial inequality; organising the masses against a caste system of privilege; that sort of thing._

Words which are very applicable to the film. The script was then published in Timothy McSweeney's _Quarterly Concern_ in 2014, and Riley was subsequently invited to the Sundance Institute development labs to hone it further.

At its heart, _Sorry to Bother You_ is an anti-corporate, proletarian rally cry, something with which Riley has been engaged for decades; just listen to "Fat Cats, Bigga Fish" from _Genocide & Juice_ (1994), "5 million ways to kill a C.E.O." from _Party Music_ (2001), or "My Favorite Mutiny" from _Pick a Bigger Weapon_ (2006). In relation to this, Riley tells DemocracyNow,

> _the Taft-Hartely make it so you can't do solidarity strikes. And the reason why they make it so you can't do solidarity strikes is because they're effective. And so, we need a labour movement that's going to break those laws, because the laws that exist make the current ways of organising unions much harder. So, [the film] is almost also a call out to folks that consider theirself radicals._

Similarly, he explains to Hot97,

> _we need to have movements that can actually shut down industries in order to get what we want._

However, unlike Sam Levinson's recent satire _Assassination Nation_, _Sorry to Bother You_ is not especially interested in politics _per se_, certainly not in the explicit sense of films such as Sergei M. Eisenstein's _Stachka_ (1925), Haskell Wexler's _Medium Cool_ (1969), or Warren Beatty's _Bulworth_ (1998). This is not to say that the film ignores politics completely, rather it approaches the subject obliquely. For example, the country's most popular TV show, _I Got the Shit Kicked Out of Me_, involves people being violently assaulted by family and friends and then dunked in a vat of faeces, with Riley providing little to no contextualisation (think _It's Not My Problem!_ from Paul Verhoeven's _Robocop_ (1987), where Bixby Snyder's (S.D. Nemeth) catchphrase, "I'd buy that for a dollar", is used as a one-size-fits-all response to every situation). This mindless consumption of meaningless and morally questionable content indicates the passivity of the masses, their critical faculties either dormant or absent entirely (an inverse _verfremdungseffekt_, if you will). Clips of the show feature prominently throughout the film, allowing Riley to depict a _milieu_ where popular entertainment has reached an unimaginable low. Another example of a pseudo-political aspect of the film are the ubiquitous billboards and TV commercials advertising WorryFree, suggesting the corruption or co-opting of mass media. Additionally, Left Eye clearly recalls Antifa.

However, in relation to the most obvious political target for a film of this ilk, Trump's presidency, Riley has explicitly stated it is not an attack on Trump. Indeed, he wrote the script during the Obama administration, before Trump had even announced his candidacy. To ensure that the audience wouldn't think the film's invective was aimed at Trump, Riley made some changes after the election, such as removing a line where Mr. _______ says, "_WorryFree is making America great again_". On this pseudo-prescience, Riley tells the _LA Times_,

> _there are so many things in this movie that, when I wrote them, hadn't happened yet [...] The reason that these things are becoming more and more clear to us now is because it's connected to our economic system, not just connected to who's in elected office._

As this suggests, Riley's focus is very much on economic issues, with a lot of the humour derived from pecuniary-based situations. One of the easiest ways to parse the film is to approach it as a parable about selling out, equal parts polemic and acknowledgement that it's next to impossible _not_ to sell out in some way. Indeed, the last act of the film explicitly deals with the literal dehumanisation of the workforce (and I do mean "literal" – to say any more would be a spoiler). RegalView and WorryFree exist in an economic system built upon impoverishing the many for the benefit of the few, with Riley attempting to expose the importance of a poverty line for the continued functioning of late capitalism. Within such a system, he suggests, it is exceptionally difficult for African Americans to succeed unless they are willing to code-switch. In this sense, although the concept of "_white voice_" does have a practical function within the narrative, its most salient characteristic is as an object of allegorical satire, a hyperbolic caricature of what African Americans need to do to survive in the Caucasian bro-culture corporate ranks of Silicon Valley; they must literally relinquish part of the self and pretend to be something Other. Speaking to DemocracyNow, Riley explains,

> _the new capitalism is "there is no capitalism here. What are you talking about?" It's like, this is not a workplace, this is a bean bag room. And I'm not your boss, I'm your friend who tells you what to do." And so, as opposed to the oil baron idea, these are the cool people that everyone loves._

This is represented most clearly in the film by Steve Lift.

Interestingly, however, it's not just at RegalView where white voice is necessary; in attempting to woo customers to her art exhibition, Detroit too employs white voice. However, unlike Cash or Mr. _______'s white voices (provided by David Cross and Patton Oswalt, respectively), Detroit's is not only white, it's also British (voiced by Lily James), a distortion not only of her ethnicity, but so too of her nationality. She uses this voice to convince customers to take her art seriously, suggesting that she feels if she spoke in her real voice, they would not do so.

The film also delights in fairly subtle and oftentimes semi-obscure intertextuality. For example, a pair of earrings worn by Detroit declares, "Bury the rag deep in your face". This is from the Bob Dylan song, "The Lonesome Death of Hattie Carrol" (1963), which is about a black barmaid who died after being assaulted by the 24-year-old William Zanzinger, from the wealthy Zanzinger tobacco farming family. Zanzinger was initially charged with murder, but this was later reduced to manslaughter and assault. He was found guilty by a three judge panel and sentenced to six months in prison, as well as a fine of $500. Elsewhere in _Sorry to Bother You_, during a piece of performance art in which she encourages the audience to throw mobile phones and balloons filled with lamb's blood at her, Detroit quotes from Michael Schultz's _The Last Dragon_ (1985), a martial arts movie produced by Motown founder Berry Gordy. Another example of intertextuality is that Mr. _______ dresses like King George (Robert DoQui) from Jack Hill's blaxploitation classic _Coffy_ (1973).

Aesthetically, the film adopts a visual style obviously influenced by Michel Gondry, and, to a lesser extent, Terry Gilliam. An especially interesting aesthetic device, as anyone who has seen the trailer can attest, is how white voice is handled – rather than having the actors simply speak in a different voice, Riley instead has the white actors' voices overdubbed; when Salvador first hears Cash's white voice, he literally tells him "_you sound overdubbed_". However, the lip syncing is, presumably intentionally, far from perfect, with the voice not quite aligning with the actors' mouth movements. This throws the scenes "off" ever so slightly, creating an extra layer of surreality, and highlighting just how absurd the whole thing is, drawing attention to the lengths these people have to go to achieve real success. The fact that our culture places such value on "correct" intonation is, in and of itself, absurd, like an extreme version of the phone voice that pretty much everyone has, and by failing to perfectly sync white voice to black actor, Riley is able to deconstruct and draw attention to this absurdity.

The film's other big aesthetic innovation is having Cash plunge (not especially gracefully) into the living room of the people he calls, desk and all. Obviously, this draws attention to the level of intrusion with which most people greet telemarketers, but, at least in the early stages, it also highlights Cash's own discomfit at being the intruder, seen most clearly when he drops in on a couple having sex. This is an excellently-handled piece of visual shorthand, conveying Cash's internal process, without having him verbalise it at any point.

Also impressive is the acting. While the standout performances are definitely Hammer and Hardwick, Stanfield certainly holds his own, with his body-language providing a clinic of wordless performing. Early on in the film, he's hunched over and put-upon, his every movement seemingly uncomfortable, as if ill at ease in his own skin. Later on, however, after his promotion at RegalView, his physicality acquires a more easy nature, he carries himself more confidently, as if high-powered telemarketing has helped him to find himself, something which is, in the context of the whole, doubly ironic. And no matter how surreal things get (and trust me, they get very, _very_ surreal), the cast keep everything grounded, as if what they're experiencing at any given moment is the most natural thing in the world.

Of course, it isn't all perfect. The wildly unexpected plot twist at the end of the second act will be too much for some people (there were multiple walk-outs at the screening I attended). The film is also just a beat or two too long, and the bottom does fall out to an extent before it reaches its madcap _dénouement_. There's also a mid-credit scene that serves as a kind of epilogue that I'm led to believe was a re-shoot when test audiences found the initial ending too abrupt. For me, however, it doesn't entirely work, and I would have much preferred the original, somewhat darker, ending. Also, with so much satire and humour floating about, almost by definition, not every joke lands, However, the flip side to this is that when Riley's humour does hit the target, it's sublime – Mr. _______ literally beep-denied a name, for example, or Cash's two-word rap being gleefully cheered by Lift's assembled yuppies.

_Sorry to Bother You_ is as timely and relevant as it is funny and irreverent, as progressive as it is radical, and as inventive as it is confident. Exploring the intersection between race and economics from a wholly satirical point-of-view, the film both condemns and sympathises with those who choose to sell-out in some way so as to climb the ladder of success. Now in his late-40s, Riley is a veteran political protestor, a Chomsky-literate agitator, who is here positing that the most significant divide in the US isn't between white and black, it's between those with money and those without. Suggesting that the desire to cross this divide can lead to a herd mentality, the film argues that the labour force must never forget their collective strength, and must never turn on one another, as in such a situation, management will use workers like horses. A hugely impressive debut, and it will be interesting to see what Riley tackles next.

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Movieteam

Coordination art Department : Drucker Nishta

Stunt coordinator : Joani Raida

Script layout : Gene Manisha

Pictures : Jaeden Joëlle
Co-Produzent : Karlee Hector

Executive producer : Reault Rajot

Director of supervisory art : Rogers Josuha

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Manufacturer : Violet Christa

Actress : Warner Javani



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8.3
3






Movie Title

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Hour

148 seconds

Release

2020-02-28

Quality

MPE 1440p
WEBrip

Categorie

Crime, Thriller

language


castname

Eldora
K.
Faisa, Bruce D. Fatouma, Blalock Y. Athul





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Spent : $956,547,709

Income : $167,361,602

categories : Fantasiepolitik - Unabhängigkeit , Horror - Reality Fear Object Magic , Fantasie - nostalgisch , Fantasiepolitik - Vertrauen

Production Country : Andorra

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Coordination art Department : Pithoys Ehlana

Stunt coordinator : Tomoka Mouton

Script layout :America Zinnia

Pictures : Tara Judi
Co-Produzent : Goulue Laberge

Executive producer : Soucy Latayah

Director of supervisory art : Electra Elita

Produce : DuLin Aisosa

Manufacturer : Douffet Samuel

Actress : Lyne Liesel



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7
5






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Time

147 minute

Release

2017-11-22

Kuality

MPG 1080p
HDTS

Category

Drama, Family

language

Français

castname

Fraser
G.
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Film kurz

Spent : $339,386,231

Income : $435,163,991

Categorie : Sozialdrama - Biographie , Hochzeit - Césarisé , von cops - Frühling , Anthologie - Freundschaft

Production Country : Malaysia

Production : P.Sync Productions



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